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DAY 1: The Like of it Begins
DAY 2: Disorder at the Border
DAY 3: The Image Factory
DAY 4: Across the Wire
DAY 5: The Art of Crisis Management of Art
DAY 6: Games without Frontiers
DAY 7: Jamming the Human Enigma Machine
DAY 8:Crossing the River
DAY 9: Last Minute Politics
DAY 10 Pt. 1: Space Time Motions
DAY 10 Pt. 2:

Image Gallery

 

 

The Tucson Border-Crossing Chronicles

Day 1: Wednesday, August, 2007

The Like of it Begins

Welcome to my road trip. It's 3 pm, August 1, 2007. I'm driving east on Highway 8 out of San Diego. My destination is Tucson, Arizona where I’'ll be participating in a ten-day intensive performance art boot camp directed by Guillermo Gomez-Pena and members of his La Pocha Nostra collective.

One hundred miles out of San Diego, the highway is empty and I have time to reflect on what I am about to get myself into. I‘ve heard performers build trust by doing exercises like closing their eyes and falling backwards so others can catch them before they hit the ground. And that's the easy part! It’'s about letting go of your fears and hang-ups. As a studio artist, I’'m used to working alone. I wonder how I'm going to react to having other people’'s personal spaces overlapping with mine? I have no answer for myself...yet.

The farther east I go, the more the storm clouds begin to gather. The forecast calls for stormy weather and flash flooding. It’'s monsoon season in Arizona and as the sun begins to set, flashes of lightening illuminate the clouds in the far distance.

As I look out my window I can see the first lonely ocotillos and saguaro cacti along the road. The saguaros are a symbol of the American southwest. They grow very slowly, perhaps an inch a year. There stems reach straight up into the sky. The ones that grow arms look like bizarre life forms, part human, part alien. They are an apt symbol for the Gomez-Pena method of crossing multiple borders and creating new hybrid forms of expression and I'm glad to see them.

After a long hot drive, I finally pull into Tucson at 9:45 pm. I’'m looking for the Surly Wench Pub (is Tucson a college town?) to meet the rest of the troupe. I make first contact with Laura, an artist from Tucson who dieted and changed her appearance to look like Paris Hilton for a series of performances. There is Nina from Mexico City. She does a kind of Mexican-style burlesque show. She has long dark hair with beautiful bangs that make her look slightly sad and gothic and it’'s a challenge to picture her up on the stage working her mojo in such an extroverted way. Larry, from Berkeley, is a “radical Clown” and a professor of Theater at UC Davis. Other faces come and go until it’'s time for Larry and I to head to the place where we’'ll bunk for the next ten days.

Charlotte Lowe Bailey, is a writer and poet who has kindly offered to let us stay at her house. She has a beautiful home on the outskirts of town that’'s full of paintings, antiques and artifacts she has collected over the years. Outside, dozens of metal sculptures, welded together by her late husband, are placed around the backyard….and there is a swimming pool! She’'s a marvelous hostess, intelligent and witty. She, Larry and I talk for half an hour or so before we finally go to bed. It’'s 1:30 am.

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